Sony TC-765 Bedienungsanleitung Seite 12

ECHO RECORDING
Recorded sound is caught by the playback head, and recorded
again in the same track through line input. The distance between
record head and playback head causes the resonant effect like an
echo.
Stereo echo
1. Insert twe microphones into MIC jacks.
2. Turn the L LINE, R LINE, L MIC and R MIC controls full counter-
clockwise.
3. Connect the LINE !N jacks and LINE OUT jacks by using the
supplied connecting cord matching the channels R to R, and L to
L.
4. Connect the headphones.
5. Set the MONITOR switch to TAPE. '
6. Push the REC MODE switches and depress the @ and » buttons.
7. While listening through the headphones, adjust the L and R
MIC controls.. Then slowly turn the L and R LINE controls clock-
wise for desired echo. Be careful not to excessively increase the
recording level. Otherwise oscillation may occur as a rumbling
sound. '
Now, echo recording preparation is complete. Rewind the tape to
_the beginning and start a formal recording. In this case, discon-
nect the stereo headphones, since headphone monitoring may
disturb your tempo because of the time-lag between original
sound and headphone sound. .
@For mono echo recording, use the desired L or R channel only.
The illustration shows mono recording.
© LINE OUT (L)
° LINE IN (L)
a
12
'EDITING
There are.two ways of tape editing: editing by tape duplication
and splicing. Before editing, play the original tape thoroughly, and
note the tape counter number where the unwanted sounds (narra-
ration or commercials, pop noise, etc.) are located.. Then go back
-and proceed with editing in either way.
Editing by duplication
For connection, see page 6.
lf one tape deck is inferior to the other in quality, use the better
one as a master tape deck for the playback process to obtain bet-
ter S/N.
Editing by splicing
As the tape will be cut and spliced, recorded materials in opposite
direction will also be cut off. If necessary, duplicate the tape to
another tape before proceeding.
Cueing
1. Stop the tape with the pause button in playback mode at the
portion to be spliced.
2. Move the tape across the playback head back and forth by turn-
ing both reels by hand.
3. While listening to cue sound, find the correct portion to be
spliced, and carefully mark it at the position of the playback head
on the outer side of the tape with soft colored pencil. Yellow will
be most distinctive.
Note: Take care not to get excessive marking material on the
heads. Any stain on the heads will cause contamination and im-
pair tape-and-head contact.
Splicing
Use splicing tape and a demagnetized pair of scissors.
1. Neatly overlap the tapes to be spliced and cut diagonally.
2. Place the two diagonal tape ends together, outer side up, on a
flat surface. Be careful to make ends meet but not overlap. ,
3. Apply a piece of splicing tape diagonally over the aligned ends,
and press it firmly.
4. Trim off the excessive splicing tape, slightly cutting into the
tape.
Playback
head