Selecting & Playing Voices; Selecting Voices - Yamaha P-60 Bedienungsanleitung

Selecting & Playing Voices

Selecting Voices

Procedure
While holding down the
start the corresponding voice.
Then, when you start playing, adjust the
fortable listening level.
VOICE
Voice Name
Key
(Panel name)
C1 Grand Piano 1
(PIANO1)
C 1 Grand Piano 2
(PIANO2)
D1 E.Piano 1
(EP1)
D 1 E.Piano 2
(EP2)
E1 Harpsichord 1
(HARPSI1)
F1 Harpsichord 2
(HARPSI2)
F 1 Vibraphone
(VIBES)
G1 Church Organ 1
(C. ORGAN1)
G 1 Church Organ 2
(C. ORGAN2)
A1 Strings
(STRINGS)
18 Selecting & Playing Voices
P-60
button, press one of the C1–A1 keys to select and
[VOICE]
[MASTER VOLUME]
C 1 D 1 F 1 G 1
The lowest key
C1 D1 E1 F1 G1 A1
Description
Recorded samples from a full concert grand piano. Perfect for classical
compositions as well as any other style that requires acoustic piano.
Spacious and clear piano with bright reverb. Good for popular music.
An electronic piano sound created by FM synthesis. Good for popu-
lar music.
The sound of an electric piano using hammer-struck metallic "tines." Soft
tone when played lightly, and an aggressive tone when played hard.
The definitive instrument for baroque music. Since harpsichord uses
plucked strings, there is no touch response.
Mixes the same voice an octave higher for a more brilliant tone.
Vibraphone played with relatively soft mallets. It has a tremolo effect
that is typical for vibraphone.
This is a typical pipe organ sound (8 feet + 4 feet + 2 feet). Good for
sacred music from the Baroque period.
This is the organ's full coupler sound, often associated with Bach's
"Toccata and Fugue".
Spacious and large-scale string ensemble. Try combining this voice
with piano in DUAL mode.
control to the most com-
TIP
To understand the characteris-
tics of various voices, listen to
demo songs for each voice
(page 15).
TERMINOLOGY
Voice:
On the P-60, a voice means a
"tone" or "tonal color."
NOTE
Selecting a voice automatically
engages the best-suited reverb
type and depth (page 19) for
that particular voice.