Sound source
Piano (rock & jazz)
Organ
Trumpet
Trombone
French horn
Tuba
Saxophone
Flute
Clarinet
Kick drum
Toms
Cymbals
Bongos, congas
• • First choice
• Good alternative
As an introduction to the "secret science of making good recordings", the follow-
ing sections describe some proven miking techniques.
• Working distance: 6 to 12 in.
(15 to 30 cm)
• Bass cut: ON
• For best results, be sure to
use a pop screen, e.g. the
PF 80 from AKG. If no pop
screen is available, use at
least the supplied W 214
windscreen.
• To give the talent better
control of their own voice,
we recommend adding the
talent's track to their head-
phone monitor signal.
C 214
3 Using the Microphone
Studio
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Stage
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Table 1 (cont'd)
3.5.1 Lead Vocals
Fig. 3: Solo vocalist.
21